
Visionary Forces Mobile On-Set Digital Dailies SCRATCH Lab System
SCRATCH Lab Software Features
Real-time full resolution, native playback of all popular camera formats
- REDCODE RAW.r3d (including HDRx)
- ARRI RAW
- Phantom
- Panasonic P2/MXF and AVCHD
- SI-2K
- Canon 5D
- Support for the latest RED color science, dual RED Rocket acceleration cards, and RED's new EPIC camera
- Full resolution debayering of .r3d files
- REDCINE-X and on-camera color settings can be read and manipulated within SCRATCH and augmented
using SCRATCH's powerful color tools
World-class color grading
- Real-time, non-destructive primary grading
- Heads-up color grading interface and support for Avid Artist Color or Tangent Wave panels
- Source-side adjustments for mixed color space workflows
- Match and auto grading
- Integrated Histogram, Waveform, Vectorscope and Color Curve views
- Group shots, copy/paste color grades and reference libraries
- Key frames and animation curves
- Import and save 1D and 3D LUTs based on primary color grades
- Import or export CDL
Audio sync
- BWAV support
- Sync on timecode
- Auto-sync to Clapper
- Interactive Waveform for sync
- Interactive Audio Scrub
Flexibility and extensibility
- Automate SCRATCH Lab via XML to maximize productivity
- Extend SCRATCH Lab via HTML for remote review, comments and camera reports
- Integrate SCRATCH Lab with other applications in your workflow via XML
- Enhance SCRATCH Lab via our OFX plug-in architecture
- Built-in SQL database supports a full range of metadata
- Automate deliverables by designing templates based on output format, metadata and LUTs/grades
High-speed conform and confidence checking
- Mix-and-match RED.r3d files with ARRI RAW or Phantom (or any other media format recognized by SCRATCH), even Canon DSLR, within the same resolution- independent timeline
- Dual-View, Half-Mix and Side-by-Side comparison options
- Quick Keys for moving through a timeline
- AAF import and MXF integration
- DNxHD and ProRes Read and Write (ProRes write only on Mac OS)
- Export TIFF with timecode and metadata
- Import and export ALE
- Shot log metadata import
- Metadata search
- Stereoscopic versioning
- CDL support
- Output to multiple file formats such as DPX, DNxHD, ProRes (Mac OS version only) Tiff, JPG, Quicktime, MXF and more
Quick visual sync of audio to waveform or by timecode
Multilayer timeline
Deliverables
- Avid DNxHD as MXF or QuickTime
- QuickTime (MPEG4, TIFF, JPEG, etc)
- ProRes 422 and 444 (Mac version only)
- DPX
- Real-time tools for frame-rate conversion, image-resolution scaling and frame-accuracy to monitors, projectors and tape decks using both DVI and SDI interfaces
- Create deliverables in different resolutions, image formats and framing, all from a single source and output multiple targets simultaneously
- Queue and manage outputs for unattended batch processing
- Export metadata in a variety of formats, even add notes to shots and include them in XML or MXF files
Stereo workflow
- Real-time, resolution independent playback to all stereoscopic delivery systems
- Side by side
- Over/under
- Line interleave
- Checkerboard
- Anaglyph
- Check and adjust stereo with dedicated link and convergence controls
- Immediately review decisions in stereo
- Panasonic stereo camera support includes auto de-muxing of stereo streams